Sometimes you want to view only a single layer in a multi-layer PSD file. Rather than clicking multiple layer view icons (the little Eye next to the layer preview and name), you can speed up the process by Option+Clicking the one layer view icon you want to view. The other layers will turn off. To turn them all back on, Option+Click the layer view icon again.
By now you may have heard that Adobe plans to add a Content Aware Crop tool feature to Photoshop CC with the next update. You may be thinking that they already have that feature available, and you would be somewhat correct. You can already do what the video above shows manually, but the new tool will simplify the process.
The good folks at MadeBySource have released Fontea, a plugin for Photoshop that allows you to apply one of 700 Google Fonts with a single click via a native panel. It’s quick and easy, and works quite well.
The single greatest feature of the latest Creative Cloud 2015 version of Adobe Photoshop is something I’ve longed for since… well, almost since I started using Photoshop.
Photoshop is for designers. Wait, uh… no it’s for Photographers. The fact is, Photoshop is a useful tool for an awful lot of people. In the past that’s meant that you had to have your toolbar contain the balance of tools that Adobe thought you would need–including the ones you never use. That day has now gone, and your Photoshop toolbar can finally be YOUR Photoshop toolbar.
Simply click that 3 dot icon at the bottom of the default toolbar in Photoshop. This brings up the Customize Toolbar dialog box.
Now you can begin dragging items out of the toolbar (the column on the left), and rearranging them in the order you want. Don’t worry, dragging them into the column on the right doesn’t delete the tool, it just hides it from view.
You’ll notice that some of the tools are grouped. That’s what makes the sub-tools where you hold the mouse down on the tool to reveal similar/alternate tools—such as the Selection and Shape tools. You can create your own sub-tool list if you wish, or simply remove a tool from a sub group to give it its own spot on the toolbar. For instance, you could move the circular selection tool out from under the rectangular selection tool if you wish.
The best thing is that Photoshop allows you to save your new toolbar as a preset. So you could create different toolbars for different tasks and call them up quickly when you need to switch.
Why the heck Adobe hasn’t made this an option in InDesign and Illustrator, at the very least, is beyond me.
The days of having to convert color images to CMYK are gone, yet most designers still cling to the idea that you MUST convert your images to CMYK to avoid all manner of disaster when printing a project.
The reality is that you really don’t have to deal with the CMYK color space any more, and haven’t for years.
David Blatner has a fantastic RGB Workflow walk-through about the subject over at CreativePro. It covers everything from the initial Photoshop file work, to importing into InDesign for layout, all the way to the end when you export the final PDF to send to the printer.
The short video above should tell you all you need to know about what PixelSquid does. Manipulating images as 3D objects right inside Photoshop without the hassle of knowing how to use 3D tools is a concept I’m surprised more companies haven’t tried to tackle.
PixelSquid offers quite a decent-sized collection of 3D images, including a few nice collections like the Apple Collection—which features over 50 Apple objets from yesterday and today. I also liked the Money collection.
The plugin is free, though you do have to sign-up for the service.
InDesign Secrets shared this excellent InDesign script that converts your layered InDesign file to a layered Photoshop file. Mike Rankin takes you through the simple steps in the article, but I’ll tell you from experience that this is the sort of thing that is best left to designers who are obsessive about details like naming and organizing their layers, regardless of what program they’re working in. And as Mike points out, this is something that is best left as the “final” step—as you won’t know (or have a whole lot of control over) what remains editable after the conversion.
I came across this article the other day and paused for a few moments to think about the Adobe empire. The discussion in the article is all-too-familiar, and becoming a real trend. Even I have a difficult time defending Adobe.
I’ve spent years defending Adobe’s business model and applications. I still feel they’re the best tools on the market for content creators. And I don’t feel like $50 per month is the outrageous amount people make it out to be.
But I’m done defending Adobe. Because I can’t anymore.
Without going into a whole lot of detail, the logos and images for the last three freelance jobs I’ve worked on, and the graphics for this site’s last several posts were edited with an app not named Photoshop or Illustrator.
I guess what I’m saying is, the little things I mentioned a few days ago are piling up. And there are finally real options out there. By the end of this year, they’ll be a competitive alternative to Adobe’s print-related suite of apps. All of them. And I’m going to give them a serious consideration.
Adobe Creative Cloud’s Libraries feature allows you to access, organize and share assets between your desktop and mobile apps, as well as other Creative Cloud users.
Libraries allows you to collect Character Styles, Color Swatches, Brushes, Graphics, Text, and other objects in one or multiple libraries (see the Illustrator Libraries panel in the image above). The Panel is accessed under the Window menu in Photoshop, InDesign and Illustrator. The assets you collect are synced via the cloud, and made available not only to your other apps, but you can share them with other members of your creative team, or make them publicly available via a link.
That alone would be really handy, but Adobe went a step further by offering the option of placing graphics in your Library as a linked file. That means when you update the original graphic, it gets updated in your Library, as well as any document you’ve placed the graphic in via the Libraries panel.
For the most part, you simply drag items into and out of the Libraries panel. Some icons across the bottom of the panel also allow you to add items.
Using the Libraries feature can save you a lot of time, especially if you use the same graphics, text styles and colors in most of your design work. In particular, publication designers will find Libraries to be a real game changer, especially if you share the design duties with other graphic artists on the staff.