I get a lot of emails about Adobe Creative Cloud and whether it’s right for people. A lot of the questions have been answered by Adobe, but they’re hard to find.
I came across The 10 Most Common Myths About Creative Cloud at ProDesignTools that answers many of the most common questions. By far, the most asked concern seems to be about having a constant Internet connection in order to use the Creative Suite applications. This simply isn’t true. In fact, you only have to be connected once per month for the software to ping the Adobe license server in order to verify your subscription.
[zilla_alert style=”yellow”]Other than the way you pay for the Creative Suite Master Collection, there is no difference between Creative Cloud and the standard perpetual license versions we’ve been buying for decades. Well, other than Adobe will send black helicopters to your office to remove the software from your computer if you stop paying for it.[/zilla_alert]
Disclaimer: I don’t know if Adobe owns any black helicopters, but I’m pretty sure I made that part up about coming to your office.
Another question I get is why Adobe has chosen to offer freebies to Creative Cloud subscribers that aren’t available to standard license users. The answer isn’t as simple as you might think. Of course it’s a great way to entice users to subscribe to the Creative Cloud, but the reality is that the accounting methods used by software companies to claim income don’t allow Adobe to “add value features” to standard license users. You can read more about the situation here.
As for my take on Adobe Creative Cloud; I think it’s the future. Adobe wasn’t the first company to offer software on a subscription basis, but it was probably the first (and certainly the largest) in the design industry to do so. Microsoft has since announced Office 365, a subscription-based Office Suite. It won’t be long before all major software is offered as subscription only.
Got an opinion about Creative Cloud? Share it in the comments below.
Adobe Photoshop CS6 brought with it a new cropping method that has left some users frustrated, and others wishing they could tweak it a bit. Fortunately, Adobe has built-in the ability to do both.
With the Crop Tool active (hit the C key to activate it), click the little gear icon in the toolbar stretching across the top of your Photoshop window.
In the pop-up menu, you can tick the Use Classic Mode checkbox to return the cropping method to the way it was before CS6. If you like the new cropping method, as I do, you can also toggle the Auto Centering and Cropped are viewing. In addition, you can adjust the Cropping Shield (the dark area that you’re cropping out of your image).
Adobe Revel is a sort of mix of Apple’s old .Mac photo album feature and iPhoto. It stores your photos in the cloud, keeps them synced with all your devices, builds photo albums for viewing by friends, and offers minimal editing features.
Adobe Revel offers a free tier with limited uploading, and a premium tier that offers unlimited uploading and storage for $6.00 per month.
In part one of The iMac 27″ for graphic designers, I covered the reasons for choosing the late 2012 iMac 27” to replace my 2006 Mac Pro. As a graphic designer who works in Adobe Creative Suite apps all day long, with file sizes pushing the 1GB range, power is important. But as I found out with my MacBook Air, the Mac Pro just isn’t necessary anymore. Not only does the iMac have all the power you need, but it’s a much more elegant hardware solution, and significantly easier on the pocketbook. I also listed some of the pros and cons of the iMac.
Now I’m going to talk a bit about my experience actually using the iMac for the last two months. (more…)
For the love of God, PLEASE NAME YOUR LAYERS. There’s nothing worse than opening a Photoshop file with 50 layers that are named Layer 1, Layer 2, Layer 1 copy, Layer 4 copy, Layer 4 copy 2 (you get the idea). It makes it extremely difficult to work with later on; especially if that Photoshop file was created by someone else.
Name your layers in a short but descriptive manner. And don’t be afraid to group things into Layer folders. Photoshop even has a Note tool you can use (found under the Eyedropper tool). You’ll have a much easier time editing it later, and anyone else that has to work with the file will thank you.
I’m a huge fan of several Alien Skin Photoshop plug-ins, including BlowUp, which I find myself using quite often.
Eye Candy 7, the new version of its graphic design effects plug-in for Adobe Photoshop and Photoshop Elements. Eye Candy 7 renders realistic effects that are difficult or impossible to achieve in Photoshop alone, such as Fire, Chrome, Perspective Shadows, and more.
Rather than write a standard review, I decided to make it simple and just show you eight reasons I love the latest version of Eye Candy. (more…)
Creative Nerds shares a great tutorial for this simple technique.