Chris over at Blog.SpoonGraphics has posted a great little tutorial on how to create a rotatable globe in Illustrator using the 3D tools Adobe built-in to Illustrator. The tutorial yields great results. But let’s face it, how often do you need to create a globe? OK, you’re right, not often. But take what you learn and apply it to other objects that fit within your design ideas.
Category: Adobe Apps
Nothing ticks me off like receiving an InDesign document where the fonts have been outlined. What a waste. There’s really no reason to do it. Not only does it kill the quality of the text, often times making it appear bolder than the original font actually is, but you loose many features such as underlines, strikethroughs and more. Just embed the fonts in your PDF file. If your printer tells you that they need them outlined, tell them to bugger-off and start your search for a new printer – because the one you have sucks! If you simply must “outline” your fonts, you can “flatten” them instead and get much better results. David Blatner over at InDesignSecrets shows you how to convert text to outlines the right way.
Creating fancy logos, title graphics and stylized type generally requires a lot of work. And depending on whether you use Adobe Illustrator or Photoshop, you’re probably going to end up with layer upon layer of gradients, strokes and bevels. Thankfully, Path Styler Pro 1.5 solves all those problems no matter which program you use, producing high-quality graphics with a noticeable ease of use. Read my full review of Path Styler Pro at Macworld.com’s Creative Notes blog.
Tired of setting your text wrap with each new object you create in Adobe InDesign? Much like setting colors or character styles globally, you can also set InDesign to always use your preferred text wrap method with new documents. To do so, close all your InDesign documents and open the text wrap panel. Set your preferred text wrap method by clicking on one of the wrap icons. Now, whenever you create a new document, the default text wrap you chose will be used for all objects. To restate the obvious, the new settings will only take effect in NEW InDesign documents.
Where most plugins have the goal of creating artwork for you, Phantasm CS is more of a production tool in that it’s main set of tools involves the ability to adjust colors by Brightness/Contrast, Hue/Saturation, Curves, Levels and more. But Phantasm CS doesn’t completely leave you out in the cold when it comes to cool “design” features. The Halftone tools is uber-cool if you ask me, but I’ll get into that later. (more…)
One of the more popular text effects to use in Adobe Photoshop is chrome text. You can search for hours to find the perfect Layer Style to make your job easy, but you may never find it. Instead, try this Metal Text Tutorial over at PSGallery.co.uk. The tutorial is easy to follow and can produce fantastic results with a little experimentation. From personal experience, I’ve found that your results will vary widely depending on the font you choose to use. Some areas to play with are the bevel settings and variations. While the tutorial does give you exact settings to use, you will most likely find that they don’t produce the desired effect on all fonts. Play around with them to get it to look the way you want.
There are many ways to convert an image from color to black & white in Adobe Photoshop. I’ve posted tips before about this, but with Photoshop CS3, there’s a dead-simple way to do it that produces great results, and offers you the ability to fine-tune your conversion. Instead of simply selecting Image>Grayscale to convert your image to B&W, select Image>Adjustments>Black&White (Command + Option + Shift + B for you keyboard shortcut junkies). In the resulting Black and White conversion dialog box, you’ll be presented with the opportunity to adjust various colors in the conversion process. If you’re familiar with how this works, you can adjust how each color in your image converts to gray. If that’s a little more work than you wish to do, you can simply click on the image and move your cursor around to have Photoshop automatically adjust your image based on the sampled color. As you can see in the image above, the normal Convert to Grayscale method produces a flat and quite dull image. Though this may work for some images, using the Black and White Adjustment allows you to to fine-tune your conversion to give you more contrast and retain more details in the image.
When you’re trying to crop an image close to the edge of the document in Photoshop, you may notice that the crop tool always wants to “snap” to the edge of the document, or close to a layer object edge. This is a result of Photoshop’s Snap To feature, which normally is quite handy! Hold down the Control key to turn off the Snap To feature, temporarily allowing you to freely size your crop area.
Tim Cole’s InDesign BackChannel has a great explanation of Adobe InDesign’s overlooked and underused Align First Line Only to Grid feature. While aligning text to document grids sounds techy, overrated and downright boring, trust me when I tell you that this feature can save you a lot of time when you’re designing books, training manuals and magazines. I love tips like this, but they do take a while to burn them into your memory for frequent use in your day-to-day work.
If you want to change the font, color, kerning, or any other character or paragraph attributes, simply Command + Click or Shift + Click the type layers you want to edit, then adjust the settings to your liking in the Control Bar, Character or Paragraph panels. This tips works in Adobe Photoshop CS1, CS2 and CS3.