Stuart Hall offers an interesting look at the colors of app icons on iOS and the Mac in this article. Blue, by far, is the most popular color; but if you want to stand out from the crowd, purple is probably the coolest color to go with! I’m actually surprised at how few apps use the pink/purple hues.
Great article! The days of a logo design NEEDING to work in black & white are long-gone. That being said, a great logo design WILL work in black & white—perhaps with a little modification. So if your logo doesn’t work in black and white, perhaps you should re-think it.
While the linked article goes against my advice on creating a logo you can live with and still get paid, I still stand behind what I wrote back in 2008.
The assault on human interaction continues…
Affinity Photo is one of the few image editors outside of Photoshop that supports the CMYK color space, so it’s the only one of these apps that I would call a true Photoshop alternative for designers. The $49 price tag ain’t too shabby, either. Of course, if you’re a web designer or photo hobbiest, you have a ton of options—including the excellent Pixelmator.
Epson has released the EcoTank series of printers, which claim to be able to run for nearly two years without having to replace ink cartridges (with an average run of 60 color and 30 b&w prints per week). The only catch being that you’re going to pay $400-$500 up front for the printer.
My problem has never been that Epson printers cost too much or don’t print ENOUGH. My problem has been that the cartridges clog or expire LONG before the ink cartridge runs out. EVERY. DAMN. TIME!
So file all this happy horseshit under “I’ll believe it when I see it.”
InDesign Secrets shared this excellent InDesign script that converts your layered InDesign file to a layered Photoshop file. Mike Rankin takes you through the simple steps in the article, but I’ll tell you from experience that this is the sort of thing that is best left to designers who are obsessive about details like naming and organizing their layers, regardless of what program they’re working in. And as Mike points out, this is something that is best left as the “final” step—as you won’t know (or have a whole lot of control over) what remains editable after the conversion.
Who would have thought sharing an image on social media could be so complicated. After all the particulars, it appears that it boils down to using 1024×512 for horizontal images, and 800×1200 for vertical images.
It surely helps to scale and crop your images to the perfect size for each social network, but the bottom line is that if you share compelling images (or pictures of Kim Kardashian’s ass), people will click and open the full size image anyway.
I came across this article the other day and paused for a few moments to think about the Adobe empire. The discussion in the article is all-too-familiar, and becoming a real trend. Even I have a difficult time defending Adobe.
I’ve spent years defending Adobe’s business model and applications. I still feel they’re the best tools on the market for content creators. And I don’t feel like $50 per month is the outrageous amount people make it out to be.
But I’m done defending Adobe. Because I can’t anymore.
Without going into a whole lot of detail, the logos and images for the last three freelance jobs I’ve worked on, and the graphics for this site’s last several posts were edited with an app not named Photoshop or Illustrator.
I guess what I’m saying is, the little things I mentioned a few days ago are piling up. And there are finally real options out there. By the end of this year, they’ll be a competitive alternative to Adobe’s print-related suite of apps. All of them. And I’m going to give them a serious consideration.
Digital Photography School has put together a fantastic collection of links for their best articles on macro photography. If you’re a photography hobbiest, it’s well worth browsing through the articles.
Photo credit: Macro look of the Green frog by Rosan Nepal.
“Users don’t scroll for fun. They scroll for a purpose.”
Back in the early days of the web, designing a web page meant putting the most important things “above the fold.” Back then, that meant the first 500-600 pixels. Today, we have screens that show twice that amount on a cell phone, three-times that on small laptops, and even more on desktops. The “fold” is complete bullshit now, as the screen sizes have increased and vary widely by device.
But above the fold design still matters. You’ve probably heard the term “content is king.” It’s the truth that the very best web design can’t escape. If you have great content, and you lead off with it above the fold while giving people a REASON to scroll, people WILL scroll.
Take a quick look at The Fold Manifesto: Why the Page Fold Still Matters.