Top 10 Lies told to Naive Artists and Designers

Mark Lewis has compiled a list of the Top 10 Lies told to naive artists and designers when dealing with clients. As a freelancer in the past, I’ve actually heard EVERY SINGLE ONE of these lies. As a young designer I was eager to please, ready to work for cheap to get the work and willing to believe these lines of “bull” that clients fed me. Don’t fall into the same trap. Despite the fact that you love what you do, and you want to “do great work” and build your portfolio, THIS IS A BUSINESS. Your chosen field allows you to express your creativity, but never forget that you do this to earn a living!

Free textures for use in Photoshop

TextureKing has over 250 freely downloadable textures for use with Photoshop, and appears to be adding more all the time. Many sites offer free textures, but I usually find that they’re incredibly lame and practically worthless. TextureKing, on the other hand, has some very good artwork that is quite useful in everyday professional projects.

Turn your images into pop-art

Turn your photos into Lichtenstein inspired pop art. This Photoshop tutorial will also show you how to create great-looking half tone shading! The tutorial states that it is for beginners to intermediate users, but I think “beginners” is stretching it a bit.

Moving forward/backward in Safari, iTunes and the Finder

Many people know that you can use the keyboard shortcut Command + [ (left bracket) for going back in history when in Safari (and other browsers) and Command + ] (right bracket) to for forward in history. But did you know that it works in the iTunes Store and in Finder windows as well? I love keyboard shortcuts!

Saving your Adobe Workspaces (prefs and palette locations)

One annoying “feature” we’ve had to endure throughout the years with virtually all the graphics applications we use is the prolific increase of palettes that we are forced to work with daily. If you use Adobe Photoshop, you probably have at least 5 to 6 palettes open at all times. Even a simple ad layout in InDesign might find your screen with 6 to 8 palettes minimum… because lets face it, you never know what you’ll need until you see it in front of you. Even with InDesign’s sliding/docking palettes feature, you may find your screen getting crowded. One solution that works well for me is to take advantage of Adobe’s Workspaces feature. Workspaces, available in all of Adobe’s CreativeSuite apps, are a way of displaying only the palettes you want/need for a specific task. You can save different workspaces and access them at any time. For instance, if you’re working on a text-heavy book in Adobe InDesign, you could have all of the text-related palettes open and arranged on screen the way you want and save that workspace. Then when you go to add graphics, you can switch to a different workspace that might include more design-specific palettes. The screenshot above shows only one custom Workspace in Photoshop, but I have several set up for InDesign for specific tasks. Another option, of course, is to learn the keyboard shortcuts!

Easily apply scanlines to your images in Photoshop

One of the most popular techniques lately seems to be adding a pseudo-TV look to images, also called “Scanlines.” Here’s a down and dirty simple way to add some “tech/gritty” look to your image. The technique is used in a lot of movie posters and hi-tech imagery. Read on for a step-by-step tutorial on how to create scanlines quickly and easily. First, choose your image. High contrast images work best, but virtually any image will do. Here we have a fairly boring product photo. But we need to add “a little something” to spice it up for a Web site splash page. The first thing to do is make sure you’re working at 300 dpi. This technique will work with 72 dpi, but the effect won’t be the same. You can size it down later.

  1. Create a new layer
  2. Press “D” to reset your colors to black and white
  3. Hit Command + Delete (Backspace on some keyboards) to fill the new layer with white
  4. Go under Filter>Sketch>Halftone Pattern and choose 1 for size, 50 for contrast and Line for pattern type
  5. Your image should look something like this:

Now you could stop there, but the image may be “distorted” enough that your client isn’t happy. In this case, we want to see the keys on the phone more, and the image itself to be a little more dirty and have a little more contrast. To do that:

  1. Create a selection around the areas you want to adjust (in this case it was the keys and the screen
  2. Feather the edges around 5 to 10% (you can use whatever amount you like)
  3. Paste this selection on top of the scanline layer
  4. Set the layer style to Overlay and adjust the opacity to around 80% (you can adjust this amount to your liking)

Now we need to focus on the highlight area again. To do this:

  1. Make a copy of the layer we just worked on (the selection of the buttons)
  2. Command + Click on the layer to select it
  3. Go to Select>Modify>Contract and enter about 10-20% (again, you can use any amount, but we’re trying to reduce that selection by about 20%)
  4. Invert your selection and hit delete to get rid of the area outside the selection
  5. Set the layer style to Normal and the opacity to around 90%

We could stop here. But It’s still not “dirty” enough. Lets add some “distortion” to the scanlines. This portion is completely optional. If you want a “clean” look to your image, skip this step.

  1. Create a new layer on top of all the other layers
  2. Fill the layer with white by hitting Command + Delete again (your colors should still be the default black & white)
  3. Go to Filter>Noise>Add Noise and use 40% for the amount and set the check boxes for Gaussian and Monochromatic and hit OK
  4. Now make your layer style Multiply and the opacity around 20% (adjust to your liking)

Now you can just add text or other elements as you see fit. I chose to set the type layer to overlay and place the layer just above the original image layer. You could also adjust the colors to add some mood or action by using the Hue/Saturation (Command + U) dialog with the Colorize box checked. Now is the time to reduce the resolution for Web use. The reason you do that last is that if you start out with 72 dpi, the scanlines we created in the first steps will be too large.

Photoshop layers palette keyboard shortcuts

I’m not sure if I’ve posted these Photoshop layer palette shortcuts before, a quick search didn’t come up with anything, so here you go: Command + [ Moves the active layer down (below the layer below it) Command + ] Moves the active layer up (above the layer above it) Shift + Command + [ Moves the active layer from wherever it is in the order to just above the background layer or all the way to the bottom if you have no “background” layer) Shift + Command + ] Moves the active layer all the way to the top of the layer stack Option + ] Makes the layer above the active layer the new active layer Option + [ Makes the layer below the active layer the new active layer Shift + Option + ] Makes the top most layer the active layer Shift + Option + [ Makes the either the background layer or lowest layer the active layer

Customize your Control Bar in Illustrator

Did you know that you can specify what items appear in the Control Bar of Adobe Illustrator? Some items you may never use, so you can turn them off by clicking on the fly-out menu in the far right of the Control Bar next to the Go to Bridge icon and selecting which items you want to appear. While I think this is a handy thing for Adobe to include in Illustrator, I would love it if they would allow a little more control over it such as the actual placement of the items in the Control Bar itself. Who knows what Adobe Creative Suite 3 will bring, perhaps more control over the UI of all their apps is in the works. In any case, it’s nice to be able to have the customization option available to you.

Importing more than one PDF page into InDesign

Did you know you can import more than one page of a multi-page PDF in InDesign CS2 simply by turning on the Show Import Options in the Place dialog box? Once the options box is open, you simply choose which pages from the PDF you want to import (or select All to bring them all in). Once you click OK, you’ll see the normal Place PDF cursor, except that every time you click, another PDF (in order) is placed until all PDFs have been placed in your document. You can also Option + Click to place all the pages at the same time on the same page.