Tagged: Illustrator

Use Overprint Preview in Adobe Illustrator when using spot colors

Adobe IllustratorWhen you’re working with spot colors like Pantones in Adobe Illustrator, overprint settings can dramatically affect the output results. For this reason, it’s best to periodically go to your Illustrator menubar and select View>Output Preview>Overprint Preview and view your document for undesired overprint settings. This will give you a more accurate idea of what your file will look like when printed.

Create a rotatable globe in Illustrator

Chris over at Blog.SpoonGraphics has posted a great little tutorial on how to create a rotatable globe in Illustrator using the 3D tools Adobe built-in to Illustrator. The tutorial yields great results. But let’s face it, how often do you need to create a globe? OK, you’re right, not often. But take what you learn and apply it to other objects that fit within your design ideas.

Phantasm CS rocks Adobe Illustrator

When we talk about plugins, you generally assume we’re talking about Photoshop add-ons. Most people don’t even realize that you can add features to Adobe Illustrator using plugins, let alone name a good one. Phantasm CS Studio 1.0 by Astute Graphics is not only one of those good ones, but it’s a whole suite of good ones.

Where most plugins have the goal of creating artwork for you, Phantasm CS is more of a production tool in that it’s main set of tools involves the ability to adjust colors by Brightness/Contrast, Hue/Saturation, Curves, Levels and more. But Phantasm CS doesn’t completely leave you out in the cold when it comes to cool “design” features. The Halftone tools is uber-cool if you ask me, but I’ll get into that later. (more…)

Getting large layer icons in Adobe Illustrator

When you’re working in Adobe Illustrator, keeping your artwork on different layers can be a huge time-saver and makes it much easier to edit with complex illustrations — much like Photoshop. But sometimes you can’t be bothered to name your layers properly and you rely on the little icons in the Layers Panel to tell you which layer you want to work on. The problem is that those tiny layer icons can be difficult to identify the more you put on each layer (See the image above). Thankfully, Illustrator gives you way to make the icons in the Layer Panel larger. First, open the Layers Panel flyout menu and scroll all the way to the bottom and select Panel Options. Next, select the Other: radio button and enter a pixel amount in the size box (I chose 50 pixels). Obviously, this is the size you want your Layers Panel icons to appear. I recommend staying 75 pixels or under — anything larger and you’ll be scrolling quite a bit to see the layers in the Panel. Now just click OK and you’re all set. As you can see by the image below, the icons in the Layers Panel are now much easier to decipher. Though my sample illustration isn’t difficult to begin with, you can easily see the advantage of making the icons larger when you compare it to the first image.

Zevrix Solutions Releases ArtOptimizer 2 for Adobe Illustrator

Adobe IllustratorZevrix Solutions announced the release of ArtOptimizer 2.0, its comprehensive solution for reducing the size of images linked to Adobe Illustrator document automatically. Similar to LinkOptimizer, the Zevrix flagship product for InDesign, ArtOptimizer saves hours of production time, gigabytes of disk space and reduces production costs by eliminating excessive image data. How does ArtOptimizer work? ArtOptimizer will automatically reduce the image resolution and resize the images in Photoshop according to their dimensions in the Illustrator document and the target resolution specified, and reimport them to Illustrator at 100%. ArtOptimizer lets you backup original images linked to Illustrator document before the processing as well. In addition, ArtOptimizer can convert image colors to CMYK, RGB or Grayscale, apply sharpening filters during processing and flatten images. The new version is compatible with Mac OS X Leopard and Adobe CS3, allows users to run Photoshop Actions and adjust layer merging options.

Create a halftone-dot effect in Adobe Illustrator

A while back I posted a link that would show you how to create an interesting halftone-dot effect in Photoshop. Recently, a reader left a comment on the post asking if there was a way to achieve the same effect in Illustrator. I’m happy to report that there is, and I’ve put together a tutorial to show you how. Step 1: Create a shape in Illustrator that you wish to convert into the halftone-dot effect. I chose a star. To achieve the mixed-size dots, you’ll want to use a gradient, and to make it easy later, you should probably start with a simple black color. Step 2: Select the object and select Effect>Pixelate>Color Halftone… from the menu. The color halftone dialog box will open where you can enter some numbers to adjust the appearance of the effect. Set the Max. Radius to 10-15 pixels. This will determine the size of the largest dot in the effect. Go ahead and leave the screen angles at the default setting. Hit OK. The star is now converted to a raster image. The darkest areas of the star have the largest dots, and the lightest areas have smaller dots. We are now half way there. We need to convert the raster image to vector. Step 3: With the star still selected, go to Object>Expand Appearance in the menu. Now select Object>Live Trace>Make and Expand from the menu. The star is now a full vector object. You can select each dot individually if you choose because they’re all vector shapes (see step 3 in the image above). But you probably want to add some color. Step 4: If the star is on a white background, everything will appear to be perfect. But draw a box, fill it with color and send it to the back by hitting Command-Shift-[. You’ll notice that the inside of the star remains white. If you want it to be transparent, you have just a bit more work to do. See the image at the right for an example of what I’m talking about. Use your Direct Select tool (the white arrow) to select any white are in the newly created halftone dot area. Go to Select>Same>Fill Color in the menu. Now that all the white areas are selected (including the white bounding box around the star, hit Delete. You should be left with nothing but the dots now. Now select the star again and add a color to it as you would any other object. Because the star is a compound path, all the dots will be colorized. That’s it. You have your halftone-dot effect, and it’s a fully-editable vector object in Illustrator. Why would you want to do it in Illustrator? Because many sign shops and screen printers require everything to be a vector shape depending on their production methods. Plus, it adds a little more flexibility for later editing. I chose to use a one color object for the sake of keeping this tutorial simple, but you can apply the same technique to a full color object for different results. See the image above with the same star filled with a color gradient.

Create a 3D wireframe effect using the 3D tool in Illustrator

A wireframe effect outlines the countours of an object but leaves each surface transparent – see the image at the right. Creating these effects usually involves a 3D modeling program. Adobe Illustrator has changed that with its 3D effects tool. You can reduce any 3D object you create to a wireframed object, and it’s not as difficult as you might think. Matt Kloskowski has a fantastic tutorial on how to create a 3D wireframe effect at IllustratorWorld. You

Retain spot colors and transparency in Illustrator

If you’ve tried to design with spot colors and transparency effects you certainly know how frustrating it can be. In fact, if you’re using Photoshop, you’re probably making more work for yourself than is necessary. Thank goodness for Illustrator guru Mordy Golding. Mordy has penned a great tutorial at CreativePro, titled Retain spot colors without losing your marbles, on not only how to retain spot colors with transparency effects in your Illustrator artwork, but he’s done so with yet another “Apple Glossy Aqua Orb” tutorial.