When I look at a lot of Web sites these days, two things jumps out at me. First, many sites look absolutely stunning. Beautiful mastheads, delicious AJAX everywhere, blinky, swooshing Flash and Web 2.0-style graphics adorn tons of Web sites. Competing with these gorgeous Web sites requires not only great graphic design skills, but you’ve got to be a coding genius as well. The second thing that I notice right away is that many of these sites contain little if any useful, informative content. Opinion blogs are everywhere, virtually anyone who can type has a blog, but finding great content is just getting harder and harder. It almost appears that many of these sites’ purpose is simply to show off the fact that they know how to code. Now I’m not trying to stand on my high-horse and look down on anyone’s efforts… (more…)
Pablo Picasso, the first living artist to be featured in the Louvre, influenced the artistic world in a uniquely original way. So why is he known for saying “Good artists copy, great artists steal?”
The key? Steal from discreet sources.
Cameron Moll, a freelance new media and print designer, wrote an article a few years back on the topic, but I find it still relevant today. Stop by SitePoint and take a look at Good designers copy, great designers steal.
AListApart has an old article by Nick Usborne titled Design Choices Can Cripple a Web site. While the article is quite old, it still argues a point that I feel (almost) exactly the opposite about. I believe that the content of a Web site provides the site its worth – the design has to be at least acceptable and pleasant to the eye, but it is not the major reason for me to visit. Nick appears to favor the design of a site over the content (at least, that’s the conclusion I’ve drawn after reading). As designers we tend to focus on the design, the bells & whistles and the functionality of a site. But we must not forget the content. You can’t make a promise with design that you can’t deliver with content.
If you would like to know more about typography, the meaning of terms used with regards to type (such as tracking, kerning, leading, x-height and more) and a little type history lesson thrown in for good measure, then check out Thinking With Type. For more in-depth discussion about type and some general “rules-of-thumb” you can check out Learn Typography and Page Layout. They have a great page that discusses some dos and don’ts of setting type.
Talent alone simply isn’t enough anymore. You have to be a well rounded person to be successful creative in today’s market. There are a lot of things you can do to help yourself on the way, and LifeClever: Tips for design and life has some tips to get you started in the article titled Talent isn’t everything: 7 habits of highly effective junior designers. The seven habits covered are:
- Work quickly, produce a lot
- Attend to details
- Be versatile
- Make an effort to learn
- Anticipate problems
- Set goals
- Display a positive attitude
Design is not solely visual. Those who believe it is, make an unconscious decision to confine themselves solely to craft. This limits these individuals from growing and taking on more complex and broad challenges.
No more true words have been spoken about what a designer really is in the advertising business. Production artists exist to be craftsman. People who know and understand the tools (software) like the back of their hand. Designers on the other hand must learn to be more than someone who can simply draw pretty pictures, they must learn to be communicators! Ideasonideas.com has a great article titled Designers must write. It’s a great read for the novice or pro designer.
It used to be that all things design started out in print. TV commercials, radio spots, outdoor boards and even Web sites started out with a print ad and were modified to fit other mediums. That time has long-since passed. Many Web site designers nowadays are finding that the market for Web work is rough going and extremely competitive. Factor in ever-changing technology, and you have thousands of Web and multimedia designers scrambling to supplement their income—or slide over to print design completely. So, if you’re a Web designer looking to add print to your stable of talents, you may want to take a look at this article I recently wrote for MacWorld.com, titled Moving from Web design to print. I also encourage you to register at the MacWorld site so you can post comments on the articles. The more interaction, the better the resource becomes.
For your average designer or production artist, preparing your files for printing is nothing more than selecting “collect for output” from a menu in your favorite layout application. But if you want to be more than average, you should get to know the pre-press & printing process and how you can make your jobs run more smoothly. Gregg Stalter at PhotoshopCafe has a lengthy article covering the entire printing process from terms used and selecting a printer, to prepress and finishing your job.
I’ve been looking at a lot of résumés at the office lately, and I’m highly amused by the lack of common sense, communication skills or creativity at all. People actually believe all those “how to write a résumé” books that basically make your résumé look like 10 million other résumés – which are the brainchild of a typing instructor from 1952!!! Be creative!!! And for heaven’s sake, PLEASE read this brief article about some things that just kill your résumé!
Following up on my previous post about how much to charge, I have another link on the subject. When figuring out how to charge a client for creative services, designers have several different pricing models to choose from. How do you select the most appropriate one? This article by Shel Perkins expains each category of pricing, including:
- Time and Materials
- Licensing: use-based
- Licensing: royalty