Download Mac OS X 10.11’s new high-resolution (5120×3200 @300 dpi) El Capitan wallpaper here.
There’s no better way to show-off a design than placing it in a real-world environment (such as a T-shirt design shown on an actual T-shirt). To do that, you can either photograph it yourself, or use one of these highly convenient and high-quality mockups. The PSD files are set to use with a SmartObject layer you simply double-click to place your design in, save the SmartObject, and boom! You’re mockup is ready to present to your client.
When you live in the modern-day design world, it’s not often that you design a piece destined for print that won’t eventually be found online. To truly create a piece that can live in both worlds, you have to format the file to work in print, as well as multiple mobile screen sizes. This is where Adobe InDesign’s Alternate & Liquid Layout features can help.
I offer you two great articles over at CreativePro that cover the use of InDesign’s Alternate/Liquid Layouts.
Alternate Layouts lets you have multiple layouts—of different sizes and orientations—all contained in one single document. What’s that you say…you don’t create digital publications? Not to fear! Alternate Layouts are a great way to create multiple layouts—destined for print or digital or a little of each—that share the same text and images. Maybe you have a campaign that includes posters, postcards, table tents, and door hangers that all share common elements. Or maybe you have a print version and a digital version of your client’s novel and you want to avoid having to maintain two documents when the editorial changes start rolling in. This is a job for Alternate Layouts!
Adobe Photoshop has some powerful tools for moving, cloning and extending your image in the form of it’s Content Aware tools. If you’re unfamiliar with them, take a look at these two brief video tutorials from Adobe.TV. These are some fantastic tools I use quite often.
Adobe is getting to be a bit like Google in the way they introduce and subsequently kill new products. Photoshop Touch for iOS and Android will cease to receive any support as of May 28th, and is the latest of a handful of mobile apps Adobe killed off after a short life. Of all their mobile attempts, Photoshop Touch was probably the most useful.
The good news is Adobe is planning on releasing a new app to replace Photoshop Touch codenamed Project Rigel later this year.
Rumor has it that Apple will be switching the default system fault from Helvetica Neue to their own proprietary SanFrancisco font, currently used on the Apple Watch, with the next Mac OS X Yosemite update.
If you love tinkering with your Mac, you can download the SanFrancisco font (direct link) and place the font files in your /Library/Fonts (that’s the Library folder at the top level of your Mac’s storage drive, not the one in your Users or System folder). Now log out and log back in to your Mac to activate the new font system-wide.
I recently installed SanFrancisco font as the default and I love it. I’ve also used other Yosemite font replacements like Fira, Source Sans, Input Sans, and even the old OS X Mavericks default, Lucida Grande.
You can patch any font you wish to be a system replacement font yourself. Unfortunately, it requires some geeky wet-work with the Terminal.
Creative Pro writer, Jamie McKee, shares the ins-and-outs of getting stylized text from MS Word to Adobe InDesign without a lot of fuss.*
We all get MS Word files from a client for placement in a brochure, booklet, newsletter, or magazine. We end up having to reformat the text by hand more often than not. But there is a better way, which Jamie goes into.
*That being said, I find Jamie’s solution to be more trouble than it’s worth by an order of magnitude. The problems with his methods are:
A) you have to go through the trouble of setting up the style sheets in word, being careful to name them the same as the ones you’re using in InDesign.
B) you have to do that for every Word file, because…
C) your client isn’t going to bother using your stupid Word file anyway
Now don’t get me wrong, his solution will work if you have a technically savvy client, or you work in an in-house design shop such as a magazine, etc. But the real-world realities are that it’s rare that you’ll find a client that will not make a mess out of this otherwise simple process.
But take a look at the article, because it’s quite informative. Even if your client refuses to use your perfectly stylized Word file, it’ll show you how to at least take some of the work out of the manual stylizing process.