InDesign Secrets shared this excellent InDesign script that converts your layered InDesign file to a layered Photoshop file. Mike Rankin takes you through the simple steps in the article, but I’ll tell you from experience that this is the sort of thing that is best left to designers who are obsessive about details like naming and organizing their layers, regardless of what program they’re working in. And as Mike points out, this is something that is best left as the “final” step—as you won’t know (or have a whole lot of control over) what remains editable after the conversion.
Adobe InDesign topics
I came across this article the other day and paused for a few moments to think about the Adobe empire. The discussion in the article is all-too-familiar, and becoming a real trend. Even I have a difficult time defending Adobe.
I’ve spent years defending Adobe’s business model and applications. I still feel they’re the best tools on the market for content creators. And I don’t feel like $50 per month is the outrageous amount people make it out to be.
But I’m done defending Adobe. Because I can’t anymore.
Without going into a whole lot of detail, the logos and images for the last three freelance jobs I’ve worked on, and the graphics for this site’s last several posts were edited with an app not named Photoshop or Illustrator.
I guess what I’m saying is, the little things I mentioned a few days ago are piling up. And there are finally real options out there. By the end of this year, they’ll be a competitive alternative to Adobe’s print-related suite of apps. All of them. And I’m going to give them a serious consideration.
Hey Adobe, see that button down there in the lower right corner of your highly-annoying Welcome screen that pops up every time I launch InDesign CC 2015—the one that says “Don’t Show Welcome Screen Again?” How about you fix whatever bug that tells the app to ignore the fact that I clicked that button the last time I launched the app, EVERY TIME I LAUNCH THE APP!!!
When you do manage to fix the bug, please share your findings with the Illustrator team, because it happens every time I launch that app as well.
To be fair, this only happens on two out of the three Macs I use on a regular basis. But all three Macs have exactly the same software installed, and are running the same OS versions.
Adobe Creative Cloud’s Libraries feature allows you to access, organize and share assets between your desktop and mobile apps, as well as other Creative Cloud users.
Libraries allows you to collect Character Styles, Color Swatches, Brushes, Graphics, Text, and other objects in one or multiple libraries (see the Illustrator Libraries panel in the image above). The Panel is accessed under the Window menu in Photoshop, InDesign and Illustrator. The assets you collect are synced via the cloud, and made available not only to your other apps, but you can share them with other members of your creative team, or make them publicly available via a link.
That alone would be really handy, but Adobe went a step further by offering the option of placing graphics in your Library as a linked file. That means when you update the original graphic, it gets updated in your Library, as well as any document you’ve placed the graphic in via the Libraries panel.
For the most part, you simply drag items into and out of the Libraries panel. Some icons across the bottom of the panel also allow you to add items.
Using the Libraries feature can save you a lot of time, especially if you use the same graphics, text styles and colors in most of your design work. In particular, publication designers will find Libraries to be a real game changer, especially if you share the design duties with other graphic artists on the staff.
Adobe has updated the bulk of their Creative Cloud apps such as InDesign, Illustrator, Photoshop, Dreamweaver and Premiere. Rather than list all the changes, I’ve linked to an update list provided by Macrumors.com. Some of the additions to Photoshop are really interesting, and InDesign seems a bit speedier. Another nice little update from Adobe.
When you live in the modern-day design world, it’s not often that you design a piece destined for print that won’t eventually be found online. To truly create a piece that can live in both worlds, you have to format the file to work in print, as well as multiple mobile screen sizes. This is where Adobe InDesign’s Alternate & Liquid Layout features can help.
I offer you two great articles over at CreativePro that cover the use of InDesign’s Alternate/Liquid Layouts.
Alternate Layouts lets you have multiple layouts—of different sizes and orientations—all contained in one single document. What’s that you say…you don’t create digital publications? Not to fear! Alternate Layouts are a great way to create multiple layouts—destined for print or digital or a little of each—that share the same text and images. Maybe you have a campaign that includes posters, postcards, table tents, and door hangers that all share common elements. Or maybe you have a print version and a digital version of your client’s novel and you want to avoid having to maintain two documents when the editorial changes start rolling in. This is a job for Alternate Layouts!
Creative Pro writer, Jamie McKee, shares the ins-and-outs of getting stylized text from MS Word to Adobe InDesign without a lot of fuss.*
We all get MS Word files from a client for placement in a brochure, booklet, newsletter, or magazine. We end up having to reformat the text by hand more often than not. But there is a better way, which Jamie goes into.
*That being said, I find Jamie’s solution to be more trouble than it’s worth by an order of magnitude. The problems with his methods are:
A) you have to go through the trouble of setting up the style sheets in word, being careful to name them the same as the ones you’re using in InDesign.
B) you have to do that for every Word file, because…
C) your client isn’t going to bother using your stupid Word file anyway
Now don’t get me wrong, his solution will work if you have a technically savvy client, or you work in an in-house design shop such as a magazine, etc. But the real-world realities are that it’s rare that you’ll find a client that will not make a mess out of this otherwise simple process.
But take a look at the article, because it’s quite informative. Even if your client refuses to use your perfectly stylized Word file, it’ll show you how to at least take some of the work out of the manual stylizing process.
Learn how to add interactivity to an InDesign document, and export it as an interactive PDF file with this quick AdobeTV video tutorial.
The Adobe Creative Cloud apps have a (fairly) new panel called Adobe Color Themes, which allows you to browse, create, save and use color themes in all your Adobe apps. Formerly known as Kuler, Color Themes allows you to browse a wide selection of pre-made color themes, or create your own using the Panel’s color mixer. Once you’re happy with your color theme, you can save it to your Creative Cloud account so the theme is available in InDesign, Illustrator or Photoshop.
You can find the Adobe Color Themes Panel under the Window menu. It’s fairly easy to figure out how to use just by playing around with it, so I won’t bother going into details here. It’s much more fun to just play around with it, but if you feel the need you can view a video tutorial here.
I don’t know how I missed this feature when it was introduced, but I’ve been using it for a while now and it’s a real time saver, and a great color inspiration tool.
Your design is done and you’re printing your file. Then you see it. Some white object or text simply refuses to print. You’ve tried printing directly from Adobe Illustrator, you’ve placed the object into InDesign and printing from there, and you’ve even tried saving it as a PDF. But no luck, that object still won’t print. I’ve seen this happen a ton of times. In almost every case, it’s an object created in Adobe Illustrator—usually a logo.
More often than not, the problem is simply that the object is set to overprint in Illustrator. To fix the problem, select the object in Illustrator, open the Attributes Panel, and make sure the Overprint Fill (and/or Overprint Stroke) checkbox is NOT ticked.
It happens for a variety of reasons, and it’s easily missed. If you’re working in Adobe Illustrator or InDesign, you can check to see if you’ll have the problem by turning on the Preview Overprint feature found under the View menu in both apps.