Wow. This is awesome news for photographers using Adobe Photoshop Lightroom 5.5.
Adobe Photoshop topics
A reader asked me if a downloadable version of the webcast was available for a recent font management webinar from Extensis.
At the time, I was not aware of one. Fortunately, Extensis has made that webinar available for viewing by everyone.
View this recorded webcast to learn proven techniques to help you focus on design rather than font management. You’ll learn how Suitcase Fusion 5 takes the work out of managing your fonts in Adobe Creative Cloud to improve your creativity.
Learn how to:
• Remove corrupt fonts from your workflow
• Dispel the dreaded “missing font” dialog box in Creative Cloud apps
• Efficiently organize your font collection
• Speed font prototyping
• Remove font duplicates
• Clean font caches
• And more…
You’ve probably heard about some of the features of the latest version of Photoshop CC 2014, but like my post about my favorite new InDesign features, it’s the little things that make upgrades worth having.
Rather than writing a repetitive post here, I’ll point you to an excellent look at a few of the new Photoshop CC 2014 features over at CreativePro.
I will note that I’ve not played with all the new features, but the ones I have are pretty cool. The new motion blur on path feature is nifty, and reminds me of the motion trail feature in Alien Skin’s excellent Eye Candy 7 plugin. That being said, I find the Eye Candy plugin much more flexible, and much easier to use.
The font rollover previews are extremely handy, as are the auto-updating comps and the new smart(er) guides. I have not tried the new Focus Mask feature, but I’m looking forward to putting it to good use.
In any case, if you haven’t upgraded yet, or aren’t aware of some of the smaller features in the new version, check out Steve Caplin’s excellent overview.
If you’re an Adobe Creative Cloud subscriber, you’ve no doubt downloaded and installed the latest versions of the CC apps. Adobe has smartly opted to install the apps beside existing CC apps, so you now have two versions of the main apps. This is important because many extensions and plug-ins are not yet compatible with the latest versions of InDesign, Photoshop and Illustrator.
Extensis has announced that Suitcase Fusion 5 font auto-activation plug-in updates are on the way (they currently don’t work in CC 2014) and will be free.
One of my favorite Photoshop plugins, GuideGuide, has been updated to work in PS CC 2014. AlienSkin’s EyeCandy, BlowUp and Bokeh (no longer sold) plugins appear to work fine simply by copying the plug-ins from the old PS CC plugins folder into the new version’s plugin folder.
I’m still waiting on an update for the incredibly useful FlatIcons extension to be updated.
If you rely on an extension or plug-in that hasn’t been updated to work with the new Creative Cloud 2014 versions, you can still use them in the older CC versions of the apps which are still installed on your hard drive – unless you un-installed them.
When Adobe shipped Creative Cloud, Bridge was missing a feature many designers and photographers use quite often – the Output module. The Output module allows you to select folders of images and create a customizable contact sheet in PDF or Web Gallery format.
Thankfully, Adobe has made the Output module available as a stand-alone install, which you can download here. It’s fairly simple to install, and of course, absolutely free to all Creative Cloud users.
BlendMeIn is a nifty new Photoshop and Illustrator extension that allows you to search thousands of assets, including popular icon packs, without leaving Photoshop or Illustrator, and place them in your document directly via a Panel.
Unlike FlatIcons, which I recently reviewed, the artwork available in BlendMeIn is free via Creative Commons Attribution license. Unlike FlatIcons, it works in Adobe Illustrator as well as Photoshop. I still prefer FlatIcons, but this is a great option.
When working with the vector tools (such as the shape tools), Photoshop has a preference to “Snap Vector Tools and Transforms to Pixel Grid”. This preference is extremely helpful when creating shapes that need solid, straight edges as it snaps the edges of the shapes to be fully aligned to a pixel, preventing soft, anti-aliased edges. Julieanne Kost explains it as simply as I’ve seen.
One of the most important things you can do to improve the look of your text in Photoshop is adjust the anti-aliasing of the text based on the size the text will be displayed at.
Text anti-aliasing can be found in Photoshop’s Control Bar (usually located at the top of the screen) when you have the text tool selected. You’ll find it just to the right of the point size entry box, as seen in the screenshot above. You can adjust the anti-aliasing by selecting the options in the drop-down menu.
There are four anti-aliasing options, Smooth, Strong, Crisp and Sharp. Which one you use depends on the size of your text.
As you can see in the image above, larger text sizes look better with Smooth or Strong. Smaller text sizes tend to look better with Crisp and Sharp – with tiny text on a website almost always looking best using the Sharp setting. The image doesn’t really show the difference in smaller text as well as I would like, but if you adjust the settings in your own document, you’ll surely see the difference.
Cristen Gillespie has a great article over at CreativePro that will help you understand and use Adobe Photoshop’s Isolate Layers feature. Isolate Layers lets you work on objects without having to search through dozens of layers, locking or hiding everything that might get in your way.